Name: Nongovernmental but Vlad's 15
SKU: 1890
Price: 6000 EUR
Availability: InStock

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item 001 - Nongovernmental but Vlad's 15 1 wall

item 001 - Nongovernmental but Vlad's 15 3 catalog

€ 6.000

A pivotal painting for the author whose significance can not be overstated. Originally revealed during 2011 solo exhibit from “Non-governmental but Vlad’s” opus. The painting shows the result of a meticulous process that was independently invented and realized through long-term, persistent research, which makes it especially valuable. Soft contours, their relationships, color interactions, contact of colored separators, and wider communication of fragments painted with very thin brushes are attributes of meticulous, precise processing, and a clear focus on the design.

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Category: Paintings

Additional Info
About Artist

Additional Info

Artist	Vladimir Antonić
Year	2010
Medium	Oil on canvas
Dimensions (cm)	74×2 * 170 * 2 (diptych)

About Artist

Vladimir Antović (b1974, Kosovska Mitrovica) has received his master’s degree from the Faculty of Fine Arts in Belgrade, Department of Painting, in the class of Professor Jovan Sivački. He is one of the founders of the art group Kerozin, which was active on the Belgrade art scene in the mid-1990s.

Exhibits

1997. Exhibition of the Kerozin group, Hyatt, Belgrade
1998. Exhibition of the Kerozin group, Mercedes-Benz, Belgrade
2001. Master’s exhibition, SKC Gallery, Belgrade
2007. Painting exhibition, Modern Gallery Lazarevac
2009. Exhibition of paintings, Otklon atelje, Belgrade
2011. Exhibition of paintings, Zvono Gallery, Belgrade
2013. Individual exhibition of paintings, Otklon atelje, Belgrade

Importance / Awards

The presented works of Vladimir Antović show a cycle of abstractly thought-out paintings created by contemplating a relief-processed “small painting”. Exemplary almost as a model of “small painting”, it will initiate that each subsequent realization will result from the visual and procedural experience of the previously created artifact, which means that the artist very skillfully presents the elaboration of one painting. Pasty application of colored layers, then scraping and falling off of them results in the appearance of a flattened, very mild relief that takes on the character of a non-figured all over. The painting is filled with data and a multitude of visual points which the artist manipulates by enlarging and transferring them to a large format.

The process of creating such an image is all the more significant because it was manually and independently invented and realized through long-term, persistent research, which makes it especially valuable. Soft contours, the relationship between contours, color interactions, contact of colored separators and wider communication of fragments painted with very thin brushes are attributes of meticulous, precise processing and concentrated, dedicated work on design possibilities, “” wrote Katarina Radulović.

1997. FLU Mosaic Award, Belgrade
1998. FLU Award for Painting, Belgrade